The Prisoner — An early look

by admin on November 15, 2009

Jim Caviezel and Ian McKellan, The PrisonerThe first thing I noticed about AMC’s reboot of the classic Patrick McGoohan series The Prisoner was its style. The original is a very stylized piece of work, but as someone who didn’t see it back in 1967-1968 when it first aired — I’m not that old! — I’m not sure if its visual presentation was wholly unique in itself, or more a reflection of the ’60s style in general. Certainly the ’60s have become infamous for some weird fashion and design choices.

Some of that ’60s nostalgia creeped into the architecture and dress of the Villagers this time around without overwhelming the tone, and I think it’s a wonderful homage to the original. But I’m more impressed that this re-imagining manages to capture the same sense of paranoia and confusion that the first did, without simply retelling the same story in the same way. And it’s those differences that are truly modernizing the story in a great way.

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