Still Bored in a Culture of Entertainment: Rediscovering Passion and Wonder

“Despite its extraordinary variety of diversions and resources, its frenzy for spectacles and its feverish pursuit of entertainment, America is bored. The abundance of efforts made in the United States to counter boredom have defeated themselves, and boredom has become the disease of our time” (13).

If this is true and boredom is the disease of our time, then Richard Winter is the physician who has studied boredom’s pathology and holds out a promising cure. Beginning with an investigation into the causes of boredom, Winter commences by considering how understimulation, repetition and a sense of disconnection all contribute to boredom. He differentiates two varieties of boredom (short-term and longer-term boredom). And then, in light of what appears to be a marked increase in boredom in recent years, considers how an increase in leisure time, a dependence upon technology, and the overstimulation produced by the hydra of the entertainment and advertising industries, each contribute to complacency and relate to boredom.

Throughout the mid chapters, Winter angles his investigation to include further psychological and historical factors. Why some people are more likely to get bored than others is the first question to be discussed. Distinguishing between boredom, depression and the apathy of grief follows. This second topic is dealt with at greater length with the reader being treated to a `trip back in time’ in order to compare the contemporary phenomena of boredom with experiences of boredom in medieval times. While the author appears concerned that his readers may not want to traverse the ages with him, I am sure most will; especially as it is here that boredom is best described and we are brought face-to-face with the phenomena of boredom and its various guises.

In the later chapters, Winter relates the rise of boredom to three things: “the decline of Christianity, the sense of entitlement to happiness and an emphasis on subjective experience or on following my inner desires” (87). He also treats the fruits of boredom, which can be summarized as sexual addiction, increased aggression, and risk taking. Most importantly of all, our good physician prescribes a number of biblically grounded and practically oriented ways of counteracting boredom. This culminates in a final chapter entitled “Why Get Up in the Morning?” A gentle and gracious reminder of our need to respond to God and to look to Him as the One who not only enables us to patiently endure our moments of frustration and boredom, but who transforms us and provides us with a passion for living.

While Winter’s book leaves room for much more to be said, yet it remains a useful introduction to what I believe will be one of the major pastoral concerns of the 21st century. As a primer on boredom’s causes and consequences, this work has two main strengths. First, it helps us to comprehend some of the complexities of the society we now live in. For as Winter ably demonstrates, boredom is a fascinating lens through which to view and better understand certain attitudes and activities that are the hallmarks of contemporary culture. Second, this work extends real help to pastors and counselors as they increasingly identify and deal with the spiritual havoc that boredom can produce in the lives of those whom they shepherd and serve. Indeed, those alert to the ways in which boredom robs us of our appetite for God will find suggestions for awakening and enlivening bored people, as well as clues to orienting the gospel message to those whose hearts are heavy, souls are numb and whose rote response is… `whatever’.

Winsomely written and a fresh reminder of the applicability of biblical truth to everyday concerns, Still Bored in a Culture of Entertainment is a useful book that will spark discussion and hopefully spawn further work in this area.